![]() ![]() It's still a good comedy and very enjoyable. That's the only reason I gave it 4 stars instead of 5. Listen 38:32 38-Minute Listen Playlist Download Embed Slate film critic Dana Stevens traces Keaton's trajectory, from performing in his family's vaudeville act as a child, to starring in and. Of course, they have to land somewhere to set up the final punch line, but the darkness seems a little excessive. There's a little bit of a dark touch here, both during the second time Buster rides the sinking boat down, when he really does disappear for a little while, and later on when the family stumbles out onto unseen land in the darkness. The scene where the boat is rolling over and over reminds me of the submarine scene in "The Navigator," though it lasts much longer.Īnd according to the Internet Movie Database, the telegraph operator who gets Buster's distress call is none other than Eddie Cline in an uncredited role. Its an MGM movie, starring Buster Keaton. Its obvious from early on that this is not truly a Buster Keaton movie. To view Buster Keatons movies in chronological order, cinephiles can start off with his features from the 1920s, a period considered to be the high point of his career. Buster plays a projectionist who dreams his way onto the screen and into a movie in. This would be Busters last silent film and, sadly, it also marks the beginning of the MGMs hold on him. Unfortunately, the kids, particularly the older one, weren't credited, so I don't know who they were now and whether they went on to develop careers of their own in the movies but the scene where the older boy gets trapped in the boat's chimney, goes overboard, and has to be rescued by Buster, who not only doesn't really rescue the boy but almost drowns himself in the process, is a classic. will be Keatons most enduring commentary on the art of cinema. If there is one figure from early cinema that rivals Chaplins prominence, thats Buster Keaton.His Sherlock, Jr., clocking in at a mere 45 minutes, follows a film projectionist who dreams of. In films that combined comedy with extraordinary physical risks, Buster Keaton played a brave spirit who took the universe on its own terms, and gave no quarter. This film also has some other good points, not least of which is watching the former child comedian do routines with a child. One Week (1920) - (Movie Clip) End Of A Perfect Day Already having difficulty assembling the pre-fabricated house received as a wedding gift, Buster Keaton and his bride (Sybil Seely) take delivery of an apparently unexpected piano, in Keaton’s dazzling first short produced as co-writer and director (with Edward. There is the famous scene of Buster riding the sinking boat down after its failed launch, and the word play of the boat's name, "Damfino," which probably pushed the envelope as far as the censor boards were concerned back then. This was a remarkable job of film preservation. Luckily they were able to save it for posterity and you can still see most of what's going on even in the damaged parts. This was one of the films James Mason found when he bought Buster's house in 1952 the early part of this print shows just how far the damage to the nitrate film had progressed. ![]()
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